D.O.M. – Acid war [1995]

From one end of the spectrum to the other, this Acid Techno masterpiece from D.O.M rarely attracts anything but unapologetic joy and for good reason. This doesn’t destroy dance floors, this track obliterates them with extreme prejudice. Thats driving acid riff does not stop for the entire track, pulsing through you like a techno body snatcher from another world. There is no let up, no break, once it drops your in it for the duration. Your entire world is now nothing but possessed acid riffs, pounding bass drums and raw acid baselines. I cant adequately explain in words really just how incredible a track this is when heard live, surrounded by a sea of bodies but the reaction is just electric. An absolute masterpiece.

However, if this track is unbelievably not hard enough on the acid for you, there is a remix that may just fit the bill. Wah Wah’s Acid Intensifier Remix does exactly what it says in the title, it kicks the entire track up to 11 for seven minutes of the hardest acid bedlam your ever likely to hear. For me, its too much, the simplicity of the original is what makes it stand out for me, however I know many folks who ‘kin love the Wah Wah remix.

From Discogs
OK now, the original might come in handy every now and then, or serve for the odd occassion, but this whole release is all about the remixes, actually. For a change, yeah, the remixers really did elevate the original to whole new heights.

First off, Wah Wah’s remix is a blasting, who-can-count-that-fast-to-count-the-BPM-rate acid trancecore monster, with a hardcore touch moving at incredible velocity, with jarring and steel hammer hard acid riffs. Completely wild and off the hook. Definitely something to play during the peak of the night. No pauses, no breaks and no climaxes – just torrents of wild acid dropped for around five minutes after a brief intro and the initial build up.
Then comes Chris Liberator with one of his career calling cards. To my knowledge this is the first remix he’s ever done, and what a treat it is. Rolling, 4/4 percussion, with a funky as hell bassline as the sounds and acid leads slowly but steadily gain in loudness and intensity as they progress. By the time that final break comes, prior to the last stand-off, this track is already a wicked mental hospital, then for the last two minutes or so Chris goes completely mad, twists and tweaks with these insane acid melodies and plays a dozen tricks on your mind. Fun, danceable, funky and banging, and inclined to smack an ear to ear smile across your face – isn’t that what techno is all about? Absolutely essential for all lovers of London’s underground acid techno scene.

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